Friday, December 24, 2021

Vintage 1950s Movies 2001: A Space Odyssey




2001: A Space Odyssey

 

2001: A Space Odyssey is a 1968 epic science fiction film inspired by the book of short stories "The Sentinel"  by Arthur C. Clarke and his other short stories. The film follows a voyage to Jupiter with the sentient computer 

 HAL after the discovery of a slab-sided alien monolith affecting human evolution, and features themes existentialism, human evolution, technology, artificial intelligence, and the possibility of extraterrestrial life.


          The film is noted for its scientifically accurate depiction of space flight, pioneering special effects, and ambiguous imagery.  

          The film received diverse critical responses ranging from those who saw it as darkly apocalyptic in tone to those who saw it as an optimistic reappraisal of the hopes of humanity. The film garnered a cult following and became the highest-grossing North American film of 1968. It was nominated for four Academy Awards. Director Stanley Kubrick won the award for his direction of the visual effect.

          In 1991, it was deemed "culturally, historically, or aesthetically significant" by the United States Library of Congress and selected for preservation in the National Film Registry. In 2010, it was named the greatest film of all time by The Moving Arts Film Journal.


        Filming began December 29, 1965, in Stage H at Shepperton Studios, England. In January 1966, the production moved to the smaller MGM-British Studios in Borehamwood, where the live-action and special-effects filming was done, starting with the scenes involving Floyd on the Orion spaceplane; it was described as a "huge throbbing nerve center ... in which the same frenetic atmosphere as a Cape Kennedy blockhouse during the final stages of Countdown." 

          For the opening sequence involving tribes of apes, professional mine

  Daniel Richter played the lead ape and choreographed the movements of the other man-apes, who were mostly portrayed by his mime troupe.

 

 

Added note

          The shots where the actors appear on opposite sides of the wheel required one of the actors to be strapped securely into place at the "top" of the wheel as it moved to allow the other actor to walk at the "bottom" of the wheel to join him. The most notable case is when Bowman enters the centrifuge from the central hub on a ladder, and joins Poole, who is eating on the other side of the centrifuge. This required Gary Lockwood to be strapped into a seat while Keir Dullea walked toward him from the opposite side of the wheel as it turned with him.

 

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